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Onbu (pink) - Signed Print by Stik 2013 - MyArtBroker

Onbu (pink)
Signed Print

Stik

£9,000-£13,500Value Indicator

$18,000-$28,000 Value Indicator

$17,000-$25,000 Value Indicator

¥80,000-¥130,000 Value Indicator

11,000-16,000 Value Indicator

$90,000-$140,000 Value Indicator

¥1,750,000-¥2,620,000 Value Indicator

$11,500-$17,000 Value Indicator

-10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Woodcut

Edition size: 15

Year: 2013

Size: H 46cm x W 20cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Stik's Onbu (pink) is estimated to be worth between £9,000 and £13,500. This signed woodcut print, created in 2013, has shown consistent value growth, with an auction history of two sales. In the past 12 months, the hammer price has ranged from £10,000 in March 2024 to £24,192 in September 2022. The average annual growth rate for this artwork is -10%. This work is part of a limited edition of 15.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2024Christie's London United Kingdom
September 2022Christie's London United Kingdom

Meaning & Analysis

While Stik remarks that ‘I started drawing stick people when I was old enough to pick up a pencil, and I just never really stopped,’ it is also the case that his iconic style was largely inspired by his years spent in Japan. He remarks: ‘I lived in Japan for almost a year in my late teens and picked up this style of drawing, which is closely connected to writing as a shorthand for conveying emotion. It developed from there’.

Onbu is a direct acknowledgement of the Japanese influences behind the stickman, and also one of many depictions of two stickmen in physical contact within Stik’s oeuvre. It is highly reminiscent of Big Mother and Holding Hands, especially in the way in which the figures’ direct their gaze in opposite directions, creating an air of trepidation despite the physical proximity.