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Illustration For De Denver Au Montana Depart Mai I - Signed Print by Roy Lichtenstein 1992 - MyArtBroker

Illustration For De Denver Au Montana Depart Mai I
Signed Print

Roy Lichtenstein

£5,500-£8,000Value Indicator

$11,000-$16,000 Value Indicator

$10,000-$14,500 Value Indicator

¥50,000-¥70,000 Value Indicator

6,500-9,500 Value Indicator

$50,000-$80,000 Value Indicator

¥1,040,000-¥1,510,000 Value Indicator

$7,000-$10,000 Value Indicator

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Intaglio

Edition size: 80

Year: 1992

Size: H 28cm x W 38cm

Signed: Yes

Format: Signed Print

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Roy Lichtenstein's Illustration For De Denver Au Montana Depart Mai I (signed), a captivating intaglio print from 1992, is estimated to be worth between £5,500 and £8,000. This artwork has been sold 4 times at auction since its initial sale in May 2015. The hammer price over the past 12 months has ranged from £5,664 in May 2021 to £6,500 in February 2023. The average annual growth rate of this work is -6%. This is a rare piece with an auction history of £5,664 in May 2021 to £6,500 in February 2023. The edition size of this artwork is limited to 80.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024Forum Auctions London United Kingdom
July 2024Forum Auctions London United Kingdom
February 2023Forum Auctions London United Kingdom
May 2021Bonhams New York United States
December 2017Bonhams New York United States
September 2016Sotheby's London United Kingdom
May 2015Freeman's Online United States

Meaning & Analysis

Ginsberg’s poem “Denver to Montana Beginning 27 May 72” describes the end of America and the spoilage of Mother Earth. Wanting to recreate forms of speech in his writing, Ginsberg uses the long-line method as a template for his poetic experimentation. The sentences therefore vary in length and are highly descriptive. Lichtenstein’s minimalistic 1992 vignette De Denver Au Montana outlines Ginsberg’s rumination on a hill, nestled between national parks and western grasslands, as the poet details the great nature splayed out in front of him.

Lichtenstein’s simplistic De Denver Au Montana presents a snapshot from an imaginary excursion. The print showcases two mountains rising into the striped sky and up towards the billowing clouds. The depicted natural formations are reduced to essential shapes and are drained of colour. As a result, De Denver au Montana has an underlying corporeal quality. South of the highway, near a snow covered top, we sit alongside the poet and Lichtenstein, above the vast green valley floor looking over the dusty pine ridges.

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