Entablature XA
Entablature XA
Signed Print
Roy Lichtenstein
£6,000-£8,500Value Indicator
$12,500-$18,000 Value Indicator
$11,000-$15,000 Value Indicator
¥60,000-¥80,000 Value Indicator
€7,000-€10,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,120,000-¥1,590,000 Value Indicator
$8,000-$11,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 18
Year: 1976
Size: H 74cm x W 114cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2023 | Swann Galleries | United States | |||
| March 2023 | Sotheby's New York | United States | |||
| December 2022 | Link Auction Galleries | United States | |||
| May 2022 | Bonhams New York | United States | |||
| May 2020 | Bonhams Los Angeles | United States |
Meaning & Analysis
Roy Lichtenstein’s Entablature series of the 1970s marks the peak of material experimentation and technical complexity in the artist’s career. The works draw from photographs depicting the midday facades of 20th century New York. The inventive processes and techniques employed in the Entablature prints offer abstracted versions of ornamental motifs, encountered by the artist around Lower Manhattan.
The Entablature prints first and foremost exhibit an intersecting perspective between art and architecture. Multilayered in its formal and conceptual references, the series demonstrates a unique emphasis on surface texture.
The Entablatures embrace Lichtenstein’s artistic concerns regarding reproduction and abstraction. The artist explored similar prominent themes in his earlier Haystack series and Bulls series. Moreover, his continuing fascination with the replication of cultural institutions can be detected in his Cathedral series, created a few years prior.
Entablature Xa applies grey, black and silver coloured details that spell out the word “Justitia” in the centre of the composition, alluding to the ancient Roman personification of justice. The work is elongated and thin, drawing a physical analogy to the original architectural features it was predicated on. The horizontal flow of the ornamentation is also suggestive of such a parallel, implying that the pattern continues beyond the printed sheet.
