Living Room
Living Room
Signed Mixed Media
Roy Lichtenstein
£100,000-£140,000
$200,000-$280,000 Value Indicator
$180,000-$250,000 Value Indicator
¥930,000-¥1,300,000 Value Indicator
€120,000-€170,000 Value Indicator
$990,000-$1,390,000 Value Indicator
¥19,440,000-¥27,220,000 Value Indicator
$130,000-$180,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Mixed Media
Edition size: 60
Year: 1990
Size: H 132cm x W 167cm
Signed: Yes
Format: Signed Mixed Media
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2022 | Christie's New York | United States | |||
| October 2021 | Phillips New York | United States | |||
| October 2020 | Sotheby's New York | United States | |||
| October 2018 | Christie's New York | United States | |||
| October 2014 | Christie's New York | United States | |||
| April 2010 | Christie's New York | United States | |||
| October 2003 | Bonhams New Bond Street | United Kingdom |
Meaning & Analysis
Executed in 1990, Living Room belongs to Roy Lichtenstein’s intricate Interior series. Completed towards the end of the artist’s career, the sequence was inspired by clippings and images collected from ordinary furniture advertisements. This signed woodcut and screen print on museum board was manufactured as part of a limited edition of 60.
Lichtenstein’s Interiors of the early 1990s takes the ultimate image of quotidian domesticity as its main subject matter. The intricate collection is rendered in the artist’s characteristic palette of bold primary colours, delineated outlines, and Ben Day dots. Lichtenstein’s Interior prints reflect the artist’s fascination with the paradoxical relationship between fine art and design. The sequence is also a unique manifestation of the varied conceptual ideas and technical skills that the artist acquired in the preceding years culminating in this body of work.
As a distinctive brushstroke motif emerges on the left-hand side of the image, it becomes evident that Lichtenstein’s The Living Room of 1990 is self-referential. The placement of this notorious motif rightfully establishes the artist alongside his contemporaries. Theirs was a creative tradition that recognised the artistic potential of the aesthetics of popular culture. The print also demonstrates the awareness Lichtenstein had of art history, and his position within it, as well as serving as an overt reminder of the artist’s own presence within his work.
Living Room’s mundane interior is transformed through defined contouring, regimented pattern, a flat surface plane and a distorted perspective. By appropriating the pervasive visual style of commercial design, Lichtenstein reinvents his chosen domestic space.
