£8,500-£12,500
$17,000-$25,000 Value Indicator
$15,000-$22,000 Value Indicator
¥80,000-¥110,000 Value Indicator
€10,000-€15,000 Value Indicator
$80,000-$120,000 Value Indicator
¥1,650,000-¥2,430,000 Value Indicator
$10,500-$16,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 75
Year: 1991
Size: H 76cm x W 96cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
Sotheby's London | United Kingdom | ||||
May 2023 | Artcurial | France | |||
April 2023 | Lama | United States | |||
June 2021 | Cornette de Saint Cyr Paris | France | |||
December 2020 | Ketterer Kunst Hamburg | Germany | |||
November 2018 | Millon & Associes | France | |||
June 2017 | Phillips London | United Kingdom |
Roy Lichtenstein’s Liberté was executed in 1991 and belongs to the Mémoire de la Liberté portfolio. The collection features works by contemporary artists commissioned to conceptualise their idea of freedom in print.
In between the white Greek columns erected on either side of the frame, Lichtenstein allows the beholderto glimpse a bright yellow sandy vast land. Striped blue and white skies stretch out ahead while a bird soars high above in the distance. Rendered in vibrant hues offset by crisp blacks and whites, the composition revels in sharply defined outlines. Harnessing the cultural saturation of commercial imagery, Liberté embraces a polished and mass-produced aesthetic.
Prehistoric moments of Western civilisation proved early on to be of surprising significance to Lichtenstein’s practice. His Temple Of Apollo is a remarkable example of this interest. He frequently revisited the topic, studying and selecting instantly recognisable natural forms and architectural and artistic structures. The artist’s detail-study titled Entablatures is another masterful representation of the theme. Liberté zeroes in on the most important visual aspects of Lichtenstein’s chosen shapes, emptying these of their original meanings. The print reflects fabricated memories of freedom rooted in the formal magnificence of buildings, the historical endurance of arts and culture, and the vitality of nature.