Forms In Space
Forms In Space
Signed Print
Roy Lichtenstein
£50,000-£80,000Value Indicator
$100,000-$160,000 Value Indicator
$90,000-$150,000 Value Indicator
¥470,000-¥750,000 Value Indicator
€60,000-€100,000 Value Indicator
$500,000-$800,000 Value Indicator
¥9,710,000-¥15,540,000 Value Indicator
$60,000-$100,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 125
Year: 1985
Size: H 89cm x W 132cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2024 | SBI Art Auction | Japan | |||
| October 2024 | Christie's New York | United States | |||
| May 2024 | Leslie Hindman Auctioneers, Chicago | United States | |||
| October 2023 | Christie's New York | United States | |||
| October 2023 | Sotheby's New York | United States | |||
| April 2023 | Phillips New York | United States | |||
| October 2022 | Sotheby's New York | United States |
Meaning & Analysis
Pop pioneer Roy Lichtenstein often drew inspiration from popular and commercialised themes for his artworks. Forms In Space was executed in 1985 and depicts a pop rendition of the American flag. The print was commissioned for the Philadelphia Institute of Contemporary Art’s annual theme-based fundraiser celebrating national emblems and morals.
In his signature style, Lichtenstein breaks down the flag’s elemental features into enlarged blue dots and red slanted lines. This mechanised interpretation of the flag explores the artifice of perspective and the limits of flatness. Abstracted and inserted into a cartoon narrative, Lichtenstein’s appropriated composition exemplifies his artistic wit.
Stripping the object of its original context and appearance, the artist reduces its implied uniqueness and individuality. By calling his depiction of the flag Forms in Space, the artist draws attention to society’s need for universal symbols.
Similar to I Love Libertyfrom a few years prior, Lichtenstein reimagines an omnipresent sign and accentuates its banality. The artist employs substitute forms that are indicative of consumerism and commercialism. In doing so, he also captures the cultural atmosphere of the 1980s. Ultimately, Lichtenstein’s configuration challenges reflexes and intuition. Forms in Space manifests a brand new symbol; a brilliant refashioning of an American icon.