Foot And Hand
Foot And Hand
Signed Print
Roy Lichtenstein
£13,000-£20,000
$26,000-$40,000 Value Indicator
$23,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€16,000-€24,000 Value Indicator
$130,000-$200,000 Value Indicator
¥2,520,000-¥3,880,000 Value Indicator
$16,000-$25,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 300
Year: 1964
Size: H 42cm x W 53cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2023 | Cowley Abbott | Canada | |||
| November 2023 | Doyle Auctioneers & Appraisers | United States | |||
| September 2023 | Phillips New York | United States | |||
| June 2023 | Bonhams New Bond Street | United Kingdom | |||
| June 2022 | Wright | United States | |||
| April 2022 | Sotheby's New York | United States | |||
| March 2022 | Christie's London | United Kingdom |
Meaning & Analysis
Roy Lichtenstein’s Foot And Hand is bursting with stylised shapes, patterns and colours. The work was executed in 1964 and manifests the artist’s masterful printmaking skills. Foot And Hand is one of Lichtenstein’s earliest pop prints modeled on a single-panel comic.
Foot And Hand is bold and intense, delivering a subtle blow to the traditional artistic legacies of the 20th century. Lichtenstein’s print reintroduces a discredited mode of representation, thereby shaping the creative dialogues and aesthetic conventions of the 1960s. The artist manufactures a clinically precise and universally recognisable picture, using the commercial instruments of mass-printing.This slick lithograph confronts the beholder with the very essence of Pop Art.
Foot And Hand is a dynamic artwork that relies on its figurative visual language. Lichtenstein captures the moment in which a booted foot stomps on a hand reaching for a gun. The colour palette is scarce but strong, while the minimal shading evokes a flattened surface appearance. Lichtenstein applies simple black outlines and Ben Day dots to delimit the volume and dimension of his shapes. The figures are closely cropped, tempting the viewer to step into the place of one of the characters, assuming roles and motives.