£1,150-£1,700
$2,300-$3,350 Value Indicator
$2,050-$3,050 Value Indicator
¥10,500-¥16,000 Value Indicator
€1,400-€2,050 Value Indicator
$11,500-$17,000 Value Indicator
¥220,000-¥330,000 Value Indicator
$1,450-$2,150 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Lithograph
Edition size: 850
Year: 1973
Size: H 76cm x W 59cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2024 | Wilson55 | United Kingdom | |||
June 2024 | Wilson55 | United Kingdom | |||
April 2024 | Sworders | United Kingdom | |||
December 2023 | Wilson55 | United Kingdom | |||
December 2023 | Wilson55 | United Kingdom | |||
December 2023 | Bonhams Knightsbridge | United Kingdom | |||
October 2023 | Thomson Roddick Edinburgh | United Kingdom |
The inclusion of ‘London’ in the title of this print is peculiar - while all Lowry’s other churches are in Manchester and the surrounding area, London was far from home for the artist. He claimed he went to London once a month for 50 years, but very little of his artistic work depicts the landscape there. This church was an exception, and in an interview with Edwin Mullens in 1966 he let on what attracted him to it. “I’d been told it had the ugliest spire in the world. So naturally I had to go and look at it.” It is an odd and perhaps telling fact that one of Britain’s best loved artists was a confirmed miserabilist ‘I only deal with poverty; always with gloom. You'll never see a joyous picture of mine.’ Few British artists are as popular and loved as Lowry, which is a testament to the fact that his work seems to transcend the gloom he was attracted to both North and South.