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Group Of Children - Signed Print by L S Lowry null - MyArtBroker

Group Of Children
Signed Print

L S Lowry

£1,100-£1,650Value Indicator

$2,200-$3,300 Value Indicator

$1,950-$2,950 Value Indicator

¥10,000-¥15,000 Value Indicator

1,350-2,000 Value Indicator

$11,000-$16,000 Value Indicator

¥210,000-¥320,000 Value Indicator

$1,400-$2,100 Value Indicator

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 850

Size: H 18cm x W 20cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of L S Lowry's Group Of Children (signed) is estimated to be worth between £1,100 and £1,650. This lithograph print has shown consistent value growth since its first sale in March 2005. Over the past 12 months, the average selling price was £1,000, across 2 total sales. The hammer price over the past five years has ranged from £900 in September 2024 to £3,000 in December 2020. This artwork demonstrates an average annual growth rate of -6%. The edition size of this artwork is limited to 850.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2024McTear's United Kingdom
June 2024Woolley & Wallis United Kingdom
January 2024Hutchinson Scott Auctioneers United Kingdom
October 2023Capes Dunn United Kingdom
September 2023Bearnes Hampton & Littlewood United Kingdom
August 2023Reeman Dansie United Kingdom
August 2023Capitolium Art Italy

Meaning & Analysis

This print is typical of Lowry’s scenes of people, showing the children standing in a row against a white background that offers no situational context. Though rendered without much detail, each child appears distinctly unique with their own character traits. Group Of Children is a print that is indicative of Lowry’s fascination with people and their unique qualities or quirks, prompting the viewer to look at his famous landscape paintings differently.

Much like many of Lowry’s scenes, this print is depicted in a limited palette of muted colours. Lowry often claimed to use just five colours in his paintings, vermillion, ivory black, Prussian blue, yellow ochre and flake white. By only using white in the background and stripping the scene of any context, this print forces the viewer to contemplate the figures in the image, who they are and why Lowry has chosen to paint them.

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