The Blueprint Drawings 3
The Blueprint Drawings 3
Signed Print
Keith Haring
£15,000-£23,000
$30,000-$45,000 Value Indicator
$27,000-$40,000 Value Indicator
¥140,000-¥210,000 Value Indicator
€18,000-€28,000 Value Indicator
$150,000-$220,000 Value Indicator
¥2,960,000-¥4,540,000 Value Indicator
$19,000-$29,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 33
Year: 1990
Size: H 107cm x W 149cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2017 | Sotheby's London | United Kingdom | |||
| September 2015 | Christie's New York | United States | |||
| March 2013 | Sotheby's London | United Kingdom |
Meaning & Analysis
This signed screen print from 1990 is a limited edition of 33 from Keith Haring’s The Blueprint Drawings series. The Blueprint Drawings 3 shows a set of four frames in the graphic of a comic strip or storyboard. In this print, Haring uses his strikingly graphic pictograms made up of simplistic shapes, so as to create an image that is highly recognisable to the viewer.
The Blueprint Drawings 3 shows an otherworldly sequence of images with a UFO in the first frame, followed by images of genderless figures running away and jumping into a hole in the ground. In Haring’s work the UFO has come to symbolise the presence of unknown forces and an extra-terrestrial future. In particular the UFO represents otherness and those who lie outside of social norms, notably those who live with HIV/AIDS and face the stigma attached to the virus.
Reminiscent of Haring’s subway drawings from the early 1980s that only appeared as related sequences when viewers passed them on their way through the corridors. In The Blueprint Drawings series the artist was able to bring together individual scenes on a single print to create an entire storyline. In doing this, Haring could begin to communicate more complex ideas through the use of his graphic symbols.
