The World's Largest Modern & Contemporary Prints & Editions Platform
Andy Mouse 3 - Signed Print by Keith Haring 1986 - MyArtBroker

Andy Mouse 3
Signed Print

Keith Haring

£110,000-£170,000Value Indicator

$230,000-$350,000 Value Indicator

$200,000-$320,000 Value Indicator

¥1,030,000-¥1,600,000 Value Indicator

130,000-200,000 Value Indicator

$1,110,000-$1,710,000 Value Indicator

¥21,370,000-¥33,020,000 Value Indicator

$140,000-$220,000 Value Indicator

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 30

Year: 1986

Size: H 96cm x W 96cm

Signed: Yes

Format: Signed Print

TradingFloor

3 in network
6 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

The value of Keith Haring's Andy Mouse 3 (signed) is estimated to be worth between £110,000 and £170,000. This screenprint has shown consistent value growth, with an average annual growth rate of 2%. There have been 5 sales at auction in the last 12 months. The hammer price in the last 5 years has ranged from £135,940 in July 2024 to £137,184 in April 2021. The edition size of this artwork is limited to 30.

Unlock up-to-the-minute market data on Keith Haring's Andy Mouse 3, login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024SBI Art Auction Japan
April 2021Sotheby's New York United States
September 2015Sotheby's London United Kingdom
April 2008Sotheby's London United Kingdom

Meaning & Analysis

Featuring two dancing figures holding aloft a large dollar bill with the figure of a spiky haired Andy Warhol with Mickey Mouse ears, this work by Haring is representative of the artist’s relationship with art and consumerism. Not one to be troubled by distinctions between ancient and modern or high and low, Haring eschewed the binaries of ‘good’ taste in an effort to bring art to the masses. He began his career by making art for the streets, from graffiti on city walls to white chalk drawings on the disused advertising panels of New York’s subway system. Soon he was known by critics and commuters alike, and his fame continued to grow. Always on the lookout for an alternative to the traditional gallery setting, Haring held exhibitions in nightclubs and painted works in ink on tarpaulin rather than presenting an oil on canvas in a white cube. This desire to break with tradition led to his opening of the famous Pop Shop where fans could buy badges, t-shirts and prints featuring his playful designs for as little as 50 cents, ensuring his name found favour with kids as well as collectors.

This move towards commercialism was in part influenced by the career of Warhol who was known to be fascinated by the possibilities of the work of art in the age of mechanical reproduction. Here, Haring pays tribute to the father of Pop Art in Warhol’s favoured medium, the screen print, as well as poking fun at the iconic artist’s inscrutable persona. The Mickey Mouse ears and shorts can also be read as a nod to Haring’s childhood; from a young age he began copying beloved Walt Disney cartoons with his father, which eventually led to him becoming an artist. A witty and striking comment on art and commercialism, this screen print is an important part of Haring’s catalogue raisonné as part of the Andy Mouse portfolio. Signed by both Warhol and Haring this is one of the rarer series in Haring’s oeuvre.