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Pop Shop V, Plate II - Unsigned Print by Keith Haring 1989 - MyArtBroker

Pop Shop V, Plate II
Unsigned Print

Keith Haring

£10,500-£16,000Value Indicator

$21,000-$30,000 Value Indicator

$19,000-$29,000 Value Indicator

¥100,000-¥150,000 Value Indicator

12,500-19,000 Value Indicator

$100,000-$160,000 Value Indicator

¥2,010,000-¥3,070,000 Value Indicator

$13,000-$20,000 Value Indicator

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 200

Year: 1989

Size: H 34cm x W 42cm

Signed: No

Format: Unsigned Print

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Track auction value trend

The value of Keith Haring’s Pop Shop V, Plate II (unsigned) is estimated to be worth between £10,500 and £16,000. This screenprint has shown consistent value growth, with an average annual growth rate of 7%. This work has an auction history of two total sales, both occurring in the past 12 months. The hammer price over the last five years has ranged from £8,315 in March 2022 to £10,576 in June 2023. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2023Van Ham Fine Art Auctions Germany
March 2022A.N. Abell Auction Company United States

Meaning & Analysis

By the time this print was made, Haring was at the top of his career yet sadly only one year from his death. A few years before he had opened his first Pop Shop in Manhattan’s SoHo, selling badges, t-shirts and more from as little as 50 cents, in a bid to make his art more commercially accessible to everyone. This transition from painting to multiples also led to Haring’s adoption of screen printing – a commercial technique made popular by Andy Warhol in the ’60s – which offered him the chance to experiment with colour and line in large editions. Printed in five colours – black, pink, orange, purple and turquoise – this work shows Haring’s mastery of screen printing as a medium.

It soon became evident that the energy and curiosity he demonstrated for painting translated perfectly into printmaking and he began to work with publishers across the US, Switzerland, Japan, Germany, France, Denmark and Holland. The prints featuring singular images were released as portfolios of four, each from an edition of 200, while the Quad prints— compiling four images in a grid format— were released in an edition of 75. Totalling 875 prints featuring the pink-orange-turquoise Pop Shop V artworks and exemplifying the prolific productivity of Haring’s printmaking, each individual print nevertheless reflects the attentive care paid by Haring throughout the production process. Though initially the singular Pop Shop V prints were released as four-part portfolios (and remain extremely valuable in their original sets of matching edition numbers) many portfolios have inevitably been divided.

By the time of his death, Haring had produced so many prints that the exact number has become impossible to count. There are many unsigned editions on the market, though these tend only to be considered valuable if approved by the Keith Haring Foundation. Today his prints are frequently among the most sought after multiples on the market.

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