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Pop Shop II, Plate IV - Signed Print by Keith Haring 1988 - MyArtBroker

Pop Shop II, Plate IV
Signed Print

Keith Haring

£18,000-£27,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$50,000 Value Indicator

¥160,000-¥250,000 Value Indicator

22,000-30,000 Value Indicator

$180,000-$260,000 Value Indicator

¥3,450,000-¥5,180,000 Value Indicator

$23,000-$35,000 Value Indicator

20% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 200

Year: 1988

Size: H 31cm x W 38cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Keith Haring’s Pop Shop II, Plate IV (signed) is estimated to be worth between £18,000 and £27,000. This screenprint, created in 1988, has shown consistent value growth, with an average annual growth rate of 18%. This is a rare artwork with an auction history of 8 total sales since its entry to the market on 29th October 2005. The hammer price in the last 12 months has ranged from £18,233 on 3rd October 2023 to £24,192 on 28th September 2022. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2023Phillips New York United States
October 2023Bonhams Los Angeles United States
September 2022Christie's London United Kingdom
September 2022Bonhams Los Angeles United States
January 2018Skinner, Marlborough United States
April 2016Christie's New York United States
January 2007Lempertz, Cologne Germany

Meaning & Analysis

The thick black outlines are typical of Haring’s street art style, developed in the subways and on the walls of New York in the early 80s. These early experiments resulted in a style and iconography for which Haring would become world famous, his barking dog, radiant child and winged superman figures instantly recognisable for their originality and playfulness. He would reproduce these figures over and over again, in bright colours reminiscent of advertising, and later, just before his death from AIDS in 1990, in plain white embossings.

Haring opened his first Pop Shop in downtown Manhattan in 1986. Aimed at kids and collectors alike, the Pop Shops were a place where Haring could sell his art for as little as 50 cents. The store stocked t-shirts, badges and magnets featuring his now ubiquitous designs.

While the project was praised by friends such as Andy Warhol, who was fascinated by the possibilities of the work of art in the age of mechanical reproduction, it was snubbed by many leading art world figures who placed more value on original works of art. Speaking of the importance of opening the shop as opposed to making large canvases to please collectors, Haring said, “I could earn more money if I just painted a few things and jacked up the price. My shop is an extension of what I was doing in the subway stations, breaking down the barriers between high and low art”.

Printed in four layers of colour – yellow, red, blue and black – this work shows Haring’s mastery of screen printing as a medium. Though he had experimented with print techniques such as lithography in the late 70s and 80s it wasn’t until 1983 that Haring began making screen prints, or serigraphs, which offered a way of creating multiple images, that artists had adopted from the world of commercial printing. This move to screen printing was undoubtedly due in part to the method being popularised by Warhol, one of Haring’s most important influences, and soon he was producing ever more inventive and daring work.

It soon became evident that the energy and curiosity he demonstrated for painting translated perfectly into printmaking and he began to work with publishers across the US, Switzerland, Japan, Germany, France, Denmark and Holland. The prints featuring singular images were released as portfolios of four, each from an edition of 200, while the Quad prints— compiling four images in a grid format— were released in an edition of 75. Totalling 875 prints featuring the blue-pink-yellow Pop Shop II artworks and exemplifying the prolific productivity of Haring’s printmaking, each individual print nevertheless reflects the attentive care paid by Haring throughout the production process. Though initially the singular Pop Shop II prints were released as four-part portfolios (and remain extremely valuable in their original sets of matching edition numbers) many portfolios have inevitably been divided.

By the time of his death, Haring had produced so many prints that the exact number has become impossible to count. There are many unsigned editions on the market, though these tend only to be considered valuable if approved by the Keith Haring Foundation. Today his prints are frequently among the most sought after multiples on the market.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change

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