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Plate V, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate V, Untitled 1 - 6
Signed Print

Keith Haring

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 40

Year: 1982

Size: H 57cm x W 85cm

Signed: Yes

Format: Signed Print

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Track auction value trend

Keith Haring's Plate V, Untitled 1 - 6, a signed lithograph from 1982, is estimated to be worth between £22,000 and £35,000. This work has shown consistent value growth, with an auction history of four sales since its entry to the market in April 2008. The average annual growth rate for this artwork is 4%. The hammer price in the last five years has ranged from £22,000 to £35,000. The edition size of this artwork is limited to 40.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2022Dorotheum, Vienna Austria
April 2017Christie's New York United States
September 2011Christie's London United Kingdom
April 2008Phillips New York United States

Meaning & Analysis

Like much of Haring’s work, this print is reminiscent of Aztec or Aboriginal art, with an emphasis on line, pattern and energy. Notably, Untitled features Haring’s iconic motif of the barking dog used to represent abuses of power by government and oppressive regimes that demand obedience.

This print has a compulsive quality that fills out across the canvas that contrasts to Haring’s typical use of simplified form and block colour. Haring’s use of bold, rounded lines across the entire image creates a jarring effect against the outlines of the standing dogs, injecting the static image with a sense of movement.

Explaining why many of his works resembled Aztec or Aboriginal art, Haring has said “My drawings don’t try to imitate life; they try to create life, to invent life,” something that he believed to be a so-called primitive idea. Untitled is exemplary of this notion by creating a rhythmic, all-over composition that focuses on pattern rather than realism, Haring produces a kinetic image that excites the viewer and transcends reality.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change