The Gallery Staff 5
The Gallery Staff 5
Signed Print
Julian Opie
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Medium: Screenprint
Edition size: 20
Year: 2010
Size: H 58cm x W 94cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2024 | Phillips London | United Kingdom | |||
| December 2012 | Cornette de Saint Cyr Brussels | Belgium |
Meaning & Analysis
Taken from Julian Opie’s The Gallery Staff series from 2010, The Gallery Staff 5 is a print on glass that shows three men and two women holding various poses in profile. The figures in this work are silhouettes, each rendered in all black against the transparent background, enclosed in a black frame.
Throughout The Gallery Staff series Opie uses a set of motifs to vary the poses of each figure in the compositions. The motifs used in each print are two chairs, a rose and a book. Each character is dressed in formal wear and interacts with these objects in a different way as the series progresses.
The Gallery Staff 5 explicitly engages with the 19th century art historical tradition of silhouette portraiture, led by artist Auguste Edouart, whereby the new middle classes would commission family group or individual portraits to record a moment in time. Opie has a strong interest in noticing silhouettes everywhere and has said of the genre, “It is one of the most common forms of drawing around, certainly in that period from late 18th to early 20th century. It’s so common it has become boring, and it’s kind of boring anyway in the sense that it does not stray much from reality.”
Julian Opie, born in 1958, dances through the contemporary art scene with a distinctive digital allure. A trailblazer of the 1980s New British Sculpture movement, Opie's work is a highly stylised blend of Pop Art and minimalism which navigates the intersection of technology and visual expression. From his early experiments with computer-generated art to his iconic portraits and animated installations, Opie's work exudes a captivating simplicity. His signature style, marked by bold lines and reduced forms, is internationally recognisable and has made him a key player in British contemporary art.
