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John
Baldessari

John Baldessari, a Conceptual Art pioneer, employed photography, painting, and text to challenge the parameters of art with wit and irony. If you’re looking for original John Baldessari prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

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Biography

John Baldessari, a pioneering figure in the realm of Conceptual Art, is known for his wry sense of humour and critical examination of art itself. Baldessari's art is a testament to his belief that ideas should be at the forefront of artistic creation.

Born in National City, California, in 1931, Baldessari's early life was set against the backdrop of the burgeoning West Coast art scene. Displaying a proclivity for the arts from a young age, he pursued his education at San Diego State College and continued with postgraduate studies at Otis Art Institute, Chouinard Art Institute, and the University of California, Berkeley. These institutions played a significant role in shaping his approach to art, as he became increasingly drawn to the burgeoning Conceptual Art movement, which sought to challenge boundaries between idea and aesthetic.

Baldessari's intellectual curiosity led him to blend photography, painting, and text in his works, creating pieces that invite viewers to interrogate the meaning of perception and narrative in art. His distinctive approach and significant contributions have ensured his place as a seminal figure in the history of Contemporary Art.

Baldessari's artistic development was marked by his departure from painting in the 1970s, a pivotal moment that saw him incinerate much of his earlier work in a ceremonial act of renunciation named The Cremation Project. This radical act symbolised a break from traditional painting and signalled a new artistic language. By appropriating photographic images and juxtaposing them with text, Baldessari invited viewers to engage with implicit narratives and question the nature of perception and meaning.

His work from this period, such as I Will Not Make Any More Boring Art, exemplifies his playful yet critical approach to art-making. Baldessari's conceptual pieces often employed visual puns and ironic commentary, which became a hallmark of his style. His influence extended beyond his own work through his teaching roles at California Institute of the Arts (CalArts) and the University of California, Los Angeles (UCLA), where he taught art.

Baldessari's impact on the art world was further solidified by his major exhibitions and achievements, including retrospectives at the Tate Modern and the Metropolitan Museum of Art in New York. He received numerous accolades, such as the Golden Lion Lifetime Achievement Award at the Venice Biennale in 2009, recognising his significant contributions to Contemporary Art.

Throughout his career, Baldessari's work challenged the redefined the relationship between art and its audience. His legacy is characterised by his intellectual curiosity and relentless pursuit of new ideas. After his death in 2020, Baldessari left behind a body of work with sustained significance in art and academia, ensuring his position as a seminal figure in art history.

Black, block capital text against an off-white background. The text reads: Quality material, careful inspection, good workmanship. All combined in an effort to give you a perfect painting.

Quality Material © John Baldessari 1967-68

1. £2.0M for John Baldessari's Quality Material

Quality Material (1967-68) achieved Baldessari's current auction record when it sold at Christie's New York in May 2007 for almost double its estimate. This pivotal and iconic work, first exhibited at London's Hayward Gallery in 1969, exemplifies Baldessari's early conceptual practice and his radical departure from traditional painting. The piece demonstrates his characteristic use of found text rendered in a commercial style that removes any evidence of the hand of the artist - a technique that would become foundational to his practice. Created during a period when Baldessari maintained an almost suspicious attitude towards the nature of art itself and the functioning of the art market, Quality Material represents this skepticism in perhaps its most stringent form. Like other works from this period, including Tips For Artists Who Want To Sell (1966-68) and I Will Not Make Any More Boring Art (1971), it pokes fun at the creation and sale of art.

A hyperrealistic painting of a hand pointing with an index finger at a small, random pile of pills. The hand has dark, sharp shadows beneath it to add contrast against the white background. The painting has a wide margin. The lower margin features black block capital text, which reads: A painting by Edgar Transue.

Commissioned Painting: A Painting By Edgar Transue © John Baldessari 1969

2. £1.2M for John Baldessari's Commissioned Painting: A Painting By Edgar Transue

Commissioned Painting: A Painting By Edgar Transue (1969) secured this impressive result at Sotheby's New York in May 2014, as part of the prestigious Sender Collection sale titled "Ahead of the Curve." Ironically, considering the work’s status in Baldessari’s portfolio, the piece was not created by Baldessari. It belongs to his seminal Commissioned Paintings series, where he hired sign painters, including Edgar Transue, to create photorealistic paintings of photographs he had taken of his friend George Nicolaidis pointing at everyday objects. The idea came from a very literal reading of Al Held’s criticism that “all Conceptual Art is just pointing at things.” By adding each sign painter's name to the canvas, Baldessari cleverly subverted traditional notions of artistic authorship while questioning the nature of artistic labour, high- vs. low-art, and value.

An off-white background with black block capital text. The text reads: “Painting for Kubler. This painting owes its existence to prior paintings. By liking this solution, you should not be blocked in your continued acceptance of prior inventions. To attain this position, ideas of former painting had to be rethought in order to transcend former work. To like this painting, you will have to understand prior work. Ultimately this work will amalgamate with the existing body of knowledge.”

Painting For Kubler © John Baldessari 1966-68

3. £1.1M for John Baldessari's Painting For Kubler

Selling at Christie's New York in May 2009, Painting For Kubler (1966-68) represents another significant example from Baldessari's foundational text painting period. The work references art historian George Kubler's influential book The Shape of Time: Remarks on the History of Things (1962), including key ideas from the text as a frame for Baldessari’s own sharp commentary on art. Like Quality Material (1966-68), this piece showcases Baldessari’s early experimentation with transferring found text onto canvas using a commercial painting style, a technique that would go on to influence generations of artists working with text and appropriation.

A black-and-white photograph with a rough textured finish that partially obscures the subject. The photograph depicts the front of a bar with “Duck Pond” written above the door. Telephone lines pass overhead, and a car is parked outside the front. Underneath the photograph on the large white margin, the words “Duck Pond Bar, National City, California” are written in block capitals.

Duck Pond Bar, National City, California © John Baldessari 1966-68