Ace (small)
Ace (small)
Signed Print
Harland Miller
£9,500-£14,500
$18,000-$28,000 Value Indicator
$17,000-$26,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€11,500-€17,000 Value Indicator
$100,000-$150,000 Value Indicator
¥1,860,000-¥2,840,000 Value Indicator
$12,500-$19,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 50
Year: 2019
Size: H 102cm x W 72cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2024 | Christie's London | United Kingdom | |||
| July 2022 | Christie's London | United Kingdom | |||
| January 2022 | Phillips London | United Kingdom | |||
| November 2020 | Rago | United States |
Meaning & Analysis
Harland Miller gained notoriety for his playful celebration of the unison between art and literature. The artist embarked upon his infamous reworking of the Penguin design heritage almost two decades ago. ACE, executed in 2019, is based on a 2017 painting from the artist’s Letter Painting series bearing the same title. As opposed to his Penguin prints series, the artworks comprising Miller’s Letter Painting seriesare not centered around titles.Rather, they draw on single short words and acronyms for their main compositions.
The formal qualities and overall layout of ACE were inspired by hand drawn Medieval illuminated manuscripts and the graphics of post-war psychology publications. Miller cleverly revises the embellished lettering style and vivid cover designs. He contributes a kaleidoscopic layering of colour to the print, and thereby also a distinct Pop sensibility.
Miller references his art historical precursors in ACE, by isolating, overlaying and reconnecting the disparate elements on the canvas. Consistent with the Pop artists who came before him, he abstracts and reconstitutes the meaning behind mundane mono and bisyllabic word snippets, rendering these in bold and saturated typefaces. Ultimately, Miller’s artwork conjoins slogans and commercialised signage with the impression of an underlying profoundness.