Design
For A Mural

Created in 1986, Günther Förg’s series Design For A Mural embodies his minimalist appraoch and experimentation with colour and form. This series of lithographs reflects Förg’s architectural influences and his exploration of spacial boundaries.

Sell Your Art
with Us

Join Our Network of Collectors. Buy, Sell and Track Demand

Submission takes less than 2 minutes & there's zero obligation to sell
The Only Dedicated Print Market IndexTracking 48,500 Auction HistoriesSpecialist Valuations at the Click of a Button Build Your PortfolioMonitor Demand & Supply in Network Sell For Free to our 25,000 Members

Meaning & Analysis

Günther Förg, an influential figure in Contemporary Art, is celebrated for his minimalist approach and his exploration of architectural spaces through his artworks. The Design For A Mural series, created in 1986, showcases Förg’s mastery in balancing simplicity with profound conceptual depth.

Förg’s work often bridges the gap between painting, photography, and architecture. In Design For A Mural, this interdisciplinary approach is evident. The series consists of five lithographs, each characterised by a dominant colour field interrupted by a contrasting band. This format highlights Förg’s interest in architectural forms and his meticulous attention to colour dynamics and spatial composition.

The series reflects Förg’s deep engagement with the principles of Modernism. Each print, with its minimalistic structure, invites viewers to contemplate the relationships between colour, form, and space. The use of broad, flat colour fields is reminiscent of Colour Field Painting, yet Förg’s inclusion of the contrasting band introduces a dynamic tension that resembles a fragment in a larger structural design.

The use of lithography, with its capacity for rich texture and precise line work, allows Förg to explore subtle variations in colour and form, adding depth to the ostensibly simple compositions. The texture and grain visible in the colour fields of each lithograph add a tactile quality.

The series can be understood as a dialogue between painting and architecture, a recurring theme in Förg’s oeuvre. The rigid division of the canvas surface by the contrasting bands suggests walls, boundaries, and thresholds—concepts central to both architecture and abstract art. This interplay of elements creates a visual rhythm, guiding the viewer’s eye across the compositions and inviting an exploration of the spatial relationships within each print.

Notable Collections