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David
Wojnarowicz

David Wojnarowicz was a Contemporary American painter, photographer, and writer, whose art was immersed in social activism. If you’re looking for original David Wojnarowicz prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

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Biography

David Wojnarowicz was an American artist, writer, and influential figure in the New York City art scene of the 1980s. His work is celebrated for its unflinching engagement with contentious social and political issues, particularly those related to the AIDS crisis, sexuality, and marginalisation. Wojnarowicz's art is a visceral chronicle of his time, encapsulating the raw energy and the spirit of activism that defined a generation of artists.

Born on September 14, 1954, in Red Bank, New Jersey, Wojnarowicz had a tumultuous childhood that informed much of his later work. He experienced an abusive family life and experienced homelessness in New York City in his teens. These early experiences of poverty would become central themes in his art. Wojnarowicz was largely self-taught, but his brief enrolment at the School of Visual Arts in New York City marked a turning point in his artistic practice.

Wojnarowicz's artistic development is marked by his use of mixed media, from painting, photography, and film to writing and performance. His art is characterised by its confrontational style, often merging text with image to challenge the viewer. His work during the AIDS epidemic, a period that deeply affected him both personally and professionally, became a powerful voice in the fight against ignorance, fear, and governmental apathy.

Wojnarowicz's career is defined by his commitment to addressing social and political issues through his art. His mixed media approach, encompassing painting, photography, film, writing, and performance, allowed him to convey complex themes of marginalisation, sexuality, and the AIDS crisis with a confrontational and visceral style. His prints boldly combine text and violent imagery to reflect on capitalism’s oppressive forces.

Collaboration played a significant role in Wojnarowicz's career. He worked closely with photographer Peter Hujar, whose death from AIDS in 1987 profoundly impacted him, motivating him to create art that directly confronted the crisis. Wojnarowicz's involvement with the band 3 Teens Kill 4 and other artists in the East Village scene further motivated his pursuit.
Notable works from Wojnarowicz's career include Untitled (Falling Buffalos) (1988-89), a powerful allegory for the oppression of marginalised communities, and his Arthur Rimbaud In New York series, which explored themes of identity and urban life. His exhibitions, such as the politically charged Tongues Of Flame at Illinois State University, and his participation in the Whitney Biennial, brought his work to a broader audience and cemented his reputation as a provocative and influential artist.

Wojnarowicz's legacy extends beyond his visual art to his influential writings. His collection of essays, Close to the Knives: A Memoir of Disintegration, offers a confronting account of his life and activism. His work continues to fight against social injustice and is frequently exhibited internationally. His art remains central to discussions on censorship, artistic freedom, and the enduring impact of the AIDS crisis on the art world.

Wojnarowicz died on July 22, 1992, due to AIDS-related complications. His art is a powerful testament to the struggles and resilience of a community during one of its most harrowing periods, continuing to inspire action in the ongoing fight for social justice.

A surreal landscape painting depicting an apocalyptic scene. From left to right: an Earth with a brain-like top, desert rock formations, dark houses with lit windows, and a fiery sky with a red demon-like figure and a snowman. Small figures are scattered throughout the sky and ground. The style is cartoonish but dark, combining elements of the natural American Southwest landscape with supernatural and ominous imagery.

Earth, Wind, Fire And Water © David Wojnarowicz 1986

1. £978,062 for David Wojnarowicz's Earth, Wind, Fire And Water

When Earth, Wind, Fire And Water (1986) sold at Sotheby’s New York in November 2018, it set a new record for Wojnarowicz’s work. Its composition is quintessential of the artist’s multimedia practice, combining acrylic paint, spray paint, and collage to create a complex post-disaster narrative. The collage incorporates printed maps, flyers, and Spanish posters, overlaid with recurring images in Wojnarowicz’s work: volcanoes, snowmen, devils, and hearts. These elements, arranged in a dream-like state of free symbolism and association, were inspired by his fascination with Mexico as a place free from the restrictions of America, the destruction of the natural environment, and the risks of technological progress. Its strong performance at auction, achieving almost double its high estimate, marked a crucial moment in the growing recognition of his market.

Wojnarowicz’s use of the elements to encapsulate his political ideas can also be seen in his limited edition prints Earth & Wind (1991) and Fire & Water (1991).

A black stencil of two shirtless men kissing in the sea is laid over a background of repeated world maps. Below the stencil is a crude drawing. Towards each corner is a black-and-white photograph - three depict two nude men, one sitting, one standing, while the lower right photo depicts one man alone.

Fuck You Faggot Fucker © David Wojnarowicz 1984

2. £605,685 for David Wojnarowicz's Fuck You Faggot Fucker

This provocative 1984 work secured this politically and commercially significant result at Phillips New York in May 2022, marking a significant increase from its original sale through the Civilian Warfare Gallery in New York's East Village. The piece represents a crucial example of Wojnarowicz's direct approach to addressing homophobia and was created during the height of the AIDS crisis. Its imagery is straight to the point, with figures that stand exposed in the face of discrimination and puzzle-piece world maps that both suggest and call for universality. It combines found imagery with raw, confrontational text in a way that would become characteristic of his most powerful pieces.

A mixed media collage featuring illustrations of action or crime scenes against a background of maps and US currency. The central figure is drawn in a vintage comic book style, pointing a gun. In front of him, a figure lies asleep. In the background, there are industrial or mechanical elements, including pipes and wheels, with a small green alien figure visible through a circular window or portal. In front of him, a statue appears to have fallen.

History Keeps Me Awake At Night (For Rilo Chmielorz) © David Wojnarowicz 1986

3. £589,365 for David Wojnarowicz's History Keeps Me Awake At Night (For Rilo Chmielorz)

Selling at Christie's New York in November 2022, this 1986 painting shares its title with Wojnarowicz's landmark 2018 retrospective at the Whitney Museum of American Art. The work, dedicated to German artist and friend Rilo Chmielorz, is typical of Wojnarowicz's weaving of personal relationships into broader political narratives. The background, comprising repeated US dollar bills, maps, targets, and biological diagrams of the human body, speaks to Wojnarowicz’s interest in the connections between capitalism, nationalism, and heteronormativity. The overlaid images are, in contrast, more outwardly aggressive, featuring guns, injury, aliens, targets, and destruction. Created in the same year as his auction record holder, it is another example of Wojnarowicz’s fully developed artistic style, combining layered symbolic imagery with autobiographical elements.

A surreal space scene, possibly set on the moon, with the Earth visible in the distance. Figures, each entirely covered in colourful leopard-like patterns, float around the scene. Colourful houses, cars, guns, and aeroplanes float between them. On the moon’s surface, a line of alien creatures run out of sight, guns in hand.

Science Lesson © David Wojnarowicz 1982-83