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The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 - Signed Print by David Hockney 2011 - MyArtBroker

The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011
Signed Print

David Hockney

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 140cm x W 106cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's The Arrival Of Spring In Woldgate East Yorkshire 6th May 2011 (signed) is estimated to be worth between £180,000 and £260,000. This digital print artwork, created in 2011, has shown consistent value growth since its first sale in June 2018. This is the third time the artwork has been offered for sale at auction and the current average annual growth rate is 6%. The edition size of this artwork is limited to 25.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2023Bonhams New Bond Street United Kingdom
December 2022Bonhams New Bond Street United Kingdom
June 2018Sotheby's Online United Kingdom

Meaning & Analysis

Stillness pervades this scene of weeds and wildflowers that seem to stretch almost endlessly into the distance until our eye is caught by a line of trees marking the edge of a wood. Small scribbles of white denote flowers and a few leaves are outlined in a darker green in the foreground until the mass of vegetation becomes indistinguishable. While this is clearly a digital drawing the artist’s hand is always present, in the range of marks and the choice of colour as well as the perspective and composition which show Hockney’s confidence in this new medium.

This print is one of 49 digital drawings, that later became prints, of the area surrounding Hockney's home in Yorkshire. He returned to his birthplace in the 2000s having lived for almost four decades on the West Coast, and began recording its changing light and seasons in works that offer a sharp contrast to the flat light of his California paintings. After spending most of his career producing prints with the help of an etching plate, a studio and often an assistant, the iPad became an extension of his sketchbook, allowing him to reproduce his drawings at the touch of a button and ensuring he remains prolific well into his old age.

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