First Detail, Snails Space, March 27th 1995
First Detail, Snails Space, March 27th 1995
Signed Print
David Hockney
£15,000-£23,000
$30,000-$45,000 Value Indicator
$27,000-$40,000 Value Indicator
¥140,000-¥210,000 Value Indicator
€18,000-€28,000 Value Indicator
$150,000-$230,000 Value Indicator
¥2,920,000-¥4,470,000 Value Indicator
$19,000-$29,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 45
Year: 1995
Size: H 90cm x W 110cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2024 | Nosbüsch & Stucke | Germany |
Meaning & Analysis
First Detail, Snails Space, March 27th 1995, is a digital print executed in 1995 in an edition of 45. Executed by the much loved British artist David Hockney, this is a digital inkjet print in colour.
Many consider Hockney’s Snails Space series as encapsulating his sprawling career and belief that art should “overcome the sterility of despair”. These prints mirror the layout of Hockney’s studio, as paintings would line the walls and be spread out on the floor, creating a world of colour and vibrancy which his guests could literally step into and explore. These prints then formed the basis of an installation entitled Snails Space With Vari Lites, Painting As Performance, which Hockney staged at several locations including the Smithsonian. In this installation, Hockney has created a set of abstracted colour and forms, which changes and evolves as the lights shining down change on a nine-minute loop. Viewers follow these shifts in colour as they would scenes of a play. First Detail operates as a still of a stage set, silent yet evocative as the forms suggest enchanted forests, streams and villages. Hockney has masterfully constructed a magical world out of pure colour and form. The title, Snails Space, is a pun, as Hockney is inviting the viewer to enter this magical realm and slow down, to a snail’s pace, to observe the innate beauty of the world.
