Rapunzel, Rapunzel
Rapunzel, Rapunzel
Signed Print
David Hockney
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AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Etching
Edition size: 100
Year: 1969
Size: H 26cm x W 24cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2019 | Sotheby's Online - United Kingdom | Rapunzel, Rapunzel - Signed Print | |||
| September 2017 | Forum Auctions London - United Kingdom | Rapunzel, Rapunzel - Signed Print | |||
| December 2014 | Christie's London - United Kingdom | Rapunzel, Rapunzel - Signed Print | |||
| March 2010 | Shapiro Auctioneers - Australia | Rapunzel, Rapunzel - Signed Print | |||
| June 2000 | Christie's London - United Kingdom | Rapunzel, Rapunzel - Signed Print | |||
| August 1993 | Christie's London - United Kingdom | Rapunzel, Rapunzel - Signed Print |
Meaning & Analysis
Rapunzel, Rapunzel by David Hockney, created in 1969, is an etching and aquatint print. This artwork depicts a figure on horseback, gazing towards a tower, capturing a moment from the Brothers Grimm fairy tale. It is part of Hockney's series interpreting classic stories through printmaking, showcasing his distinctive visual language and technical skill.
In Rapunzel, Rapunzel, Hockney employs etching and aquatint techniques to create a detailed and textured scene. The composition features a figure on horseback facing a tower, evoking the narrative tension of the Rapunzel fairy tale. Hockney's precise use of line work and tonal variation adds depth and dimension to the image, while the sparse landscape enhances the sense of isolation and anticipation.
This print is one of 39 etchings in Hockney's Illustrations For Six Fairy Tales From The Brothers Grimm series, produced between May and November 1969. The series reflects Hockney's exploration of storytelling through visual art and his ability to reinterpret familiar tales through a contemporary lens. The etching's intricate details and the use of aquatint demonstrate Hockney's technical proficiency in printmaking, allowing him to create subtle gradations of tone and texture.
Rapunzel, Rapunzel stands out within the series for its balanced composition and the effective use of negative space to create a sense of narrative suspense. The artwork exemplifies Hockney's ability to distil complex narratives into visually striking and emotionally resonant images, contributing to the series' significance in his printmaking oeuvre of the late 1960s.
