Gold
Gold
Signed Print
David Hockney
£900-£1,350
$1,750-$2,650 Value Indicator
$1,600-$2,400 Value Indicator
¥8,000-¥12,500 Value Indicator
€1,100-€1,600 Value Indicator
$9,000-$13,500 Value Indicator
¥180,000-¥260,000 Value Indicator
$1,150-$1,700 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 100
Year: 1969
Size: H 34cm x W 26cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2020 | Galerie Kornfeld - Germany | Gold - Signed Print | |||
| June 2019 | Galerie Kornfeld - Germany | Gold - Signed Print | |||
| November 2018 | Germann Auctions - Switzerland | Gold - Signed Print | |||
| July 2015 | Christie's New York - United States | Gold - Signed Print | |||
| April 2011 | Wright - United States | Gold - Signed Print |
Meaning & Analysis
Along with A Room Full Of Straw and Straw On The Left, Gold On The Right, this work relates to the fairy tale of Rumpelstiltskin which Hockney illustrated as part of his Illustrations For Six Fairy Tales From The Brothers Grimm. Before embarking on the series Hockney read all 239 stories in the Brothers Grimm collections and even took trips down the Rhine to research the settings of these fables. He proceeded to select six tales to focus on and produced 39 etchings, a medium he chose because it allowed him to reproduce his illustrative style of drawing. Showing an explosion of transformed straw above a gold bar, Gold recalls some of the artist’s earlier prints in which he includes text, such as Study For Rumpelstiltskin as well as unrelated works like Myself and My Heroes. In its simple composition, devoid of characters or background, the work reflects the simplicity of the way the fairy tales are told, with linear narratives and clear morals, while at the same time being injected with a sense of the magical and the mythical. Comprising 39 prints, the series was published in 1969 and became a bestselling book.
