The Skater, New York
The Skater, New York
Signed Print
David Hockney
£27,000-£40,000
$50,000-$80,000 Value Indicator
$50,000-$70,000 Value Indicator
¥250,000-¥370,000 Value Indicator
€30,000-€50,000 Value Indicator
$270,000-$410,000 Value Indicator
¥5,260,000-¥7,800,000 Value Indicator
$35,000-$50,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Photographic print
Edition size: 20
Year: 1982
Size: H 66cm x W 49cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2020 | Sotheby's New York - United States | The Skater, New York - Signed Print |
Meaning & Analysis
The Skater, New York by David Hockney, created in December 1982, is a collage of chromogenic prints. This artwork captures a male ice skater mid-spin, dressed in a blue tracksuit. The photo collage print is part of a limited edition of 20, each signed and numbered by the artist. In this piece, Hockney employs his innovative ‘joiners’ technique, assembling multiple photographs to create a dynamic, multi-perspective image that challenges traditional notions of photographic representation.
The Skater, New York showcases David Hockney's experimentation with photographic collages, which he termed ‘joiners’. This technique involves assembling multiple photographs taken from different angles and moments, creating a fragmented yet cohesive composition. In this particular work, Hockney captures the skater's movement by breaking down the image into various perspectives, effectively conveying the sense of motion and the passage of time within a single frame.
The artwork's composition reflects Hockney's interest in Cubism and his desire to expand the boundaries of traditional photography. By presenting multiple viewpoints simultaneously, Hockney creates a visual experience that more closely mimics human perception, which is constantly shifting and piecing together information. This work was created during a pivotal period in Hockney's career when he was deeply engaged in exploring the possibilities of photography. The ‘joiners’ technique allowed him to blend different artistic mediums, pushing the boundaries of conventional image-making. In The Skater, New York, the fragmented yet fluid representation of the skater demonstrates Hockney's skill in capturing movement and energy through this innovative method.
