Ian Fountains Abbey, Yorkshire, January 1983
Ian Fountains Abbey, Yorkshire, January 1983
Signed Print
David Hockney
£13,500-£20,000
$27,000-$40,000 Value Indicator
$24,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€16,000-€24,000 Value Indicator
$130,000-$190,000 Value Indicator
¥2,660,000-¥3,940,000 Value Indicator
$17,000-$25,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Photographic print
Year: 1983
Size: H 127cm x W 102cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2024 | Waddington's | Canada | |||
| July 2015 | Sotheby's New York | United States | |||
| May 2007 | Sotheby's London | United Kingdom |
Meaning & Analysis
Ian Fountains Abbey, Yorkshire, January 1983 is a photographic print by David Hockney, created in 1983. Part of his Photo Collages series, this piece captures Yorkshire's historic Fountains Abbey. Using a collage of photographs, Hockney presents a fragmented yet cohesive view of the architectural landmark, challenging traditional perspective. The work exemplifies Hockney's innovative approach to photography in the early 1980s, blending historical subject matter with contemporary technique.
In this work, Hockney employs his distinctive ‘joiners’ technique, meticulously assembling individual photographs to create a multifaceted perspective. The composition comprises approximately 30-50 separate shots arranged in a grid-like format, juxtaposing various viewpoints and inviting viewers to experience the scene dynamically. The vibrant green background contrasts with the abbey's stone textures, emphasising architectural details and creating visual depth.
Hockney's approach transforms the two-dimensional photograph into a complex, almost Cubist representation of three-dimensional space. By fragmenting and reassembling the image, he explores the relationship between time, movement, and perception. The Photo Collages series, to which this work belongs, marks a significant phase in Hockney's career, bridging his earlier paintings and later digital works.
