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Maurice Payne - Signed Print by David Hockney 1971 - MyArtBroker

Maurice Payne
Signed Print

David Hockney

£3,150-£4,700Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,800-5,500 Value Indicator

$30,000-$45,000 Value Indicator

¥590,000-¥890,000 Value Indicator

$4,000-$6,000 Value Indicator

-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Etching

Edition size: 75

Year: 1971

Size: H 90cm x W 71cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Maurice Payne, a signed etching from 1971, is estimated to be worth between £3,150 and £4,700. This work has shown consistent value growth, with an average annual growth rate of 1%. This artwork has an auction history of 11 total sales since its entry to the market in March 2005. In the last 12 months, the average selling price was £3,000, across one total sale. Over the past five years, the hammer price has ranged from £3,000 in December 2024 to £4,000 in September 2022. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Bonhams Knightsbridge United Kingdom
November 2023Sotheby's Online United Kingdom
September 2022Phillips London United Kingdom
September 2021Galerie Kornfeld Germany
September 2019Christie's London United Kingdom
September 2019Christie's London United Kingdom
April 2019Sotheby's New York United States

Meaning & Analysis

An edition of 75, Maurice Payne is a signed print by much-loved British artist David Hockney. The etching was produced in 1971, a year in which Hockney completed some of his most well-known paintings, such as Mr. And Mrs. Clark And Percy, Portrait Of Sir. David Webster, and Sur La Terrasse. Travelling widely, to destinations such as Morocco, Southwest France, Hawaii and even Japan, 1971 also saw Hockney use etching and printmaking techniques to depict those around him, as in Mo Asleep: an intaglio print depicting his long-serving assistant, Mo McDermott, asleep on a patterned deckchair. Here, Hockney turns to another friend and artistic collaborator – the master printer, Maurice Payne. Having assisted Hockney in printing many of his etching works, Payne is quite literally inscribed into the printmaking process. As such, Hockney constructs a visual tribute to the print maker, without whom many of his etchings, such as such as An Erotic Etching (1975), would not have been converted into finished works. With unparalleled precision, Hockney offers up a side profile of Payne, who is sat in a simple chair – a subject the artist would go on to depict time and time again in his Photo Collages, and in the well-known painting Gauguin’s Chair (1988). With his arms crossed across his stomach, Payne emits a sense of stillness, his dark hair brought out in a series of rough and jagged lines which contrast with his figure.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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