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Peonies In A Glass Vase - Signed Print by David Hockney 1998 - MyArtBroker

Peonies In A Glass Vase
Signed Print

David Hockney

£12,000-£18,000Value Indicator

$24,000-$35,000 Value Indicator

$21,000-$30,000 Value Indicator

¥110,000-¥160,000 Value Indicator

14,500-22,000 Value Indicator

$120,000-$170,000 Value Indicator

¥2,340,000-¥3,510,000 Value Indicator

$15,000-$22,000 Value Indicator

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Intaglio

Edition size: 35

Year: 1998

Size: H 97cm x W 77cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's Peonies In A Glass Vase (signed) is estimated to be worth between £12,000 and £18,000. This intaglio print, created in 1998, has shown consistent value growth, with an auction history of 4 sales since its entry to the market in November 2011. Over the past 12 months, the average selling price was £12,930, across 2 total sales. In the last five years, the hammer price has ranged from £7,000 in June 2024 to £32,000 in September 2022, with an average annual growth rate of -9%. The edition size of this artwork is limited to 35.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2024Bonhams New Bond Street United Kingdom
June 2024Nadeau's Auction United States
September 2022Christie's London United Kingdom
November 2011Bonhams New Bond Street United Kingdom

Meaning & Analysis

This work demonstrates Hockney's technical prowess in printmaking, combining etching and aquatint techniques to create an image with varied textures and tonal depths. The composition focuses on the interplay of light and shadow, particularly evident in the rendering of the glass vase and the delicate petals of the peonies. The intaglio process allows for fine detail and tonal variations, capturing the translucency of the glass and the subtle gradations of colour in the flowers.

This print reflects Hockney's ongoing exploration of natural forms and still life subjects, a theme he has revisited throughout his career. Created in 1998, it represents a period when Hockney was dividing his time between California and Yorkshire, influencing his choice of subjects and colour palette. The print was co-published by the artist and Pace Editions Inc., New York, and printed by Maurice Payne in Los Angeles. This collaboration highlights Hockney's engagement with established printmaking studios, a practice that has contributed to the consistent quality of his print oeuvre.

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