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Twelve Fifteen - Signed Print by David Hockney 1991 - MyArtBroker

Twelve Fifteen
Signed Print

David Hockney

£13,000-£19,000Value Indicator

$27,000-$40,000 Value Indicator

$24,000-$35,000 Value Indicator

¥120,000-¥180,000 Value Indicator

16,000-23,000 Value Indicator

$130,000-$190,000 Value Indicator

¥2,520,000-¥3,690,000 Value Indicator

$17,000-$24,000 Value Indicator

-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 50

Year: 1991

Size: H 112cm x W 145cm

Signed: Yes

Format: Signed Print

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The value of David Hockney’s Twelve Fifteen (signed) is estimated to be worth between £13,000 and £19,000. This lithograph print, created in 1991, has shown consistent value growth since its first sale in May 2012. Over the past five years, the hammer price has ranged from £13,294 in July 2020 to £15,332 in March 2023. This artwork has an auction history of 10 total sales. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2023Phillips New York United States
March 2023Christie's New York United States
July 2020Phillips New York United States
February 2019Christie's New York United States
October 2014Sotheby's New York United States
October 2014Christie's New York United States
July 2014Christie's New York United States

Meaning & Analysis

Twelve Fifteen is a signed print by internationally renowned British artist, David Hockney. Like much of Hockney’s work, it owes much to the unrelenting influence of Cubism – a Modernist artistic movement of which Pablo Picasso, one of Hockney’s art heroes, was a major proponent – upon the artist’s wider œuvre. Although it makes considered use of non-representational forms and garish, often clashing colours (as in the lower portion of the composition), Twelve Fifteen remains rooted in a unique and decidedly unorthodox depiction of reality. Testament to Hockney’s diverse ‘ways of seeing’, it gives us a sense of being constituted of various aspects of a traditional landscape work. On the one hand, the print is organic: deep emerald evokes pasture, whilst fragments of a rainbow and even a sun can be seen in the work’s upper portions. On the other, rigid, man-made forms puncture the work’s flamboyant texture, giving the illusion of the many skyscrapers of Los Angeles and California – Hockney’s home for over 30 years. Whilst portraying an indeterminate subject matter, what is sure is that much like Hockney’s Photo Collages, there is a compositeness to this work which challenges the limitations of traditional, unifocal art. Cross-hatched sections separate an unadorned white background from the vibrant, multicolour forms that make up the work, suggesting its use as a kind of façade or stage set much like those the artist went on to create for a November 1992 run of Strauss’s Die Frau Ohne Schatten at London’s Royal Opera.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.