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Billy Wilder - Signed Print by David Hockney 1976 - MyArtBroker

Billy Wilder
Signed Print

David Hockney

£2,200-£3,300Value Indicator

$4,600-$7,000 Value Indicator

$4,050-$6,000 Value Indicator

¥22,000-¥30,000 Value Indicator

2,550-3,850 Value Indicator

$23,000-$35,000 Value Indicator

¥410,000-¥620,000 Value Indicator

$2,950-$4,400 Value Indicator

-8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 43

Year: 1976

Size: H 98cm x W 71cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's Billy Wilder, a signed lithograph print from 1976, is estimated to be worth between £2,200 and £3,300. There have been five sales at auction since its entry to the market in February 2008. Over the past five years, the hammer price has ranged from £1,829 in November 2023 to £5,149 in May 2022. The average annual growth rate of this artwork is -8%. The edition size of this artwork is limited to 43.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2023Sotheby's Online United Kingdom
May 2022Uppsala Auktionskammare Sweden
November 2021Waddington's Canada
March 2020Christie's London United Kingdom
February 2008Christie's New York United States

Meaning & Analysis

Before they met at a Hollywood dinner party in the early 1970s and became close friends, Wilder had been a collector of Hockney’s artworks. In this print, the famous director’s pose is relaxed, bringing attention to the casual context, which inspired the portrait. Wilder’s index finger is placed on the script page, which, coupled with the gaze that directly confronts the viewer, endows his demeanour with a dimension of candour. The man looks like he was captured casually during a conversation, which brings the portrait closer to the lifelike dynamics. Two pencils, pens, and filmmaking equipment are seen on the table standing next to the director, making the viewer feel that they are given a glimpse into the intimate, backstage setting. As an artist reluctant towards commissioned portraits throughout his career, Hockney sought to capture something intimate about the personality of his sitters and chose to depict people who were close to him. He commented in this context: “When you come to use line, if you know what you’re looking at, it’s much easier to make the line meaningful, to find a linear solution to what you want to depict.”