Name: H6-4 Goodness
Brand: Damien Hirst
Rating: 5 (231 reviews)

Track auction value trend

The value of Damien Hirst's H6-4 Goodness (signed) is estimated to be worth between £17,000 and £26,000. This Giclée print, created in 2019, has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of five total sales since its entry to the market on 24th April 2018. In the last 12 months, the hammer price has ranged from £8,500 in March 2020 to £25,795 in January 2022. Over the past five years, the average return to the seller has been £15,995. The edition size of this artwork is limited to 50.

Auction Date

Auction House

Location

Hammer Price

Return to Seller

Buyer Paid

January 2023

Phillips London

United Kingdom

August 2022

Sotheby's Online

United Kingdom

January 2022

Phillips London

United Kingdom

March 2020

Forum Auctions London

United Kingdom

April 2018

Phillips London

United Kingdom

Meaning & Analysis

Taken from Damien Hirst’s 2015 The Aspects series, H6-4 Goodness is a giclée print that shows an intricate kaleidoscopic pattern made up of many varying butterfly wings. The print shows an array of blue hues and the geometric composition is made up of concentric circles.

Evocative of stained glass windows in Gothic architecture, H6-4 Goodness conflates the scientific with the aesthetic. Hirst uses the wings of butterflies in varying shades of blue to create the geometric pattern, appearing almost like insects on display in a natural history museum. The aesthetic comes into play in the creation of a beautiful pattern exuding a kinetic energy that is exciting and mesmerising to look at. The entire of The Aspects series is made up of varying shades of blue as Hirst uses the same species of butterfly wings to form the pattern in each print.

For Hirst, the butterfly is a ‘universal trigger’ that many people share in finding attractive and joyous. Recalling someone once saying to him: “Butterflies are beautiful, but it’s a shame they have disgusting hairy bodies in the middle,” Hirst in works like this chose only to display the dazzling wings in H6-4 Goodness. Across the series, the butterfly wing is rendered unrecognisable when viewed at a distance and as part of a larger intricate pattern.