New Beginnings 1
New Beginnings 1
Signed Print
Damien Hirst
£6,500-£9,500Value Indicator
$14,000-$20,000 Value Indicator
$12,000-$17,000 Value Indicator
¥60,000-¥90,000 Value Indicator
€7,500-€11,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,220,000-¥1,790,000 Value Indicator
$8,500-$12,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Block print
Edition size: 55
Year: 2011
Size: H 66cm x W 49cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2019 | Phillips London | United Kingdom |
Meaning & Analysis
The first in a series of six prints titled the New Beginnings series by Damien Hirst, New Beginnings 1 is a striking block print from 2011. The rectangular composition shows a yellow and black butterfly with its wings outspread in the centre, set against a bright orange backdrop.
Hirst’s preoccupation with the butterfly is evident in his depiction of many different species of the insect across various prints and installation pieces throughout his career. The New Beginnings series appears almost identical to Hirst’s It’s A Beautiful Day series (2013) and strikes similarities with his Lessons in Love series (2018). The butterfly motif is used by Hirst as a ‘universal trigger’, and he renders each print with varying combinations of bright colours that exude a sense of joy and excitement.
Hirst contrasts the almost photographic depiction of the butterfly against solid, block colour to create a print that has an immediate and visceral visual impact. Tying together themes around morality, life, love, faith and aesthetics, Hirst has explained of the motif: “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
