H2 Colour Chart
H2 Colour Chart
Signed Print
Damien Hirst
£2,100-£3,150
$4,200-$6,500 Value Indicator
$3,800-$5,500 Value Indicator
¥19,000-¥29,000 Value Indicator
€2,550-€3,800 Value Indicator
$21,000-$30,000 Value Indicator
¥410,000-¥620,000 Value Indicator
$2,650-$3,950 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Giclée print
Edition size: 250
Year: 2017
Size: H 80cm x W 166cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Sotheby's Online | United Kingdom | |||
| March 2021 | Christie's New York | United States | |||
| March 2020 | Sotheby's London | United Kingdom | |||
| October 2019 | Phillips New York | United States | |||
| October 2019 | Sotheby's Hong Kong | Hong Kong |
Meaning & Analysis
Colour Chart H2 is a print from Damien Hirst’s Colour Charts series from 2017. The print shows an image of several coloured boxes in a grid-like composition, resembling a commercial paint chart from a homeware shop, each colour labelled and numbered. As a further development from his Spot paintings, this series allows Hirst to continue to explore ‘pinning down the joy of colour.’
Hirst has explained of this series: “‘The Colour Charts’ mean you get to kill two birds with one stone, or I do: I get to please myself with that joy of colour but then also it’s a found object, something I’ve found in the real world and reproduced. They’re about the nature of art: something very comforting in the real world can become terrifying in works of art. What’s comforting in a work of art is a faithful representation of the real thing, so once you take an object from the real world and make it into a great big painting it becomes a terrifying thing…people just go ‘why?’ and the question ‘why?’ horrifies people [they just go] why would you do that?”
The Colour Charts series is indicative of some of Hirst’s most important influences from art history including Pop Art and the idea of the ‘readymade’ from Dadaism. The colour chart used for Colour Chart H2 is a found object, reproduced in a print edition, transforming it from a functional tool to an aestheticised object that highlights the interactive potential of colour.
