Billy Mill Roundabout
Billy Mill Roundabout
Signed Print
Damien Hirst
£1,950-£2,950
$3,800-$6,000 Value Indicator
$3,450-$5,000 Value Indicator
¥18,000-¥27,000 Value Indicator
€2,350-€3,550 Value Indicator
$19,000-$29,000 Value Indicator
¥380,000-¥570,000 Value Indicator
$2,450-$3,700 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 68
Year: 2002
Size: H 91cm x W 71cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2020 | Forum Auctions London - United Kingdom | Billy Mill Roundabout - Signed Print | |||
| September 2017 | Christie's New York - United States | Billy Mill Roundabout - Signed Print | |||
| September 2014 | Bonhams Knightsbridge - United Kingdom | Billy Mill Roundabout - Signed Print | |||
| October 2009 | Ketterer Kunst Hamburg - Germany | Billy Mill Roundabout - Signed Print |
Meaning & Analysis
Billy Mill Roundabout is an etching from 2002 by Damien Hirst from the first volume of his In A Spin, The Action Of The World Upon Things series. The print depicts several spiralling lines in the centre of the composition, rendered in crayon-like strokes of brown, purple, yellow and green. The composition is dynamic in its simplistic use of line that conveys speed and movement.
Billy Mill Roundabout is directly related to Hirst’s famed spin paintings, produced with a rotating canvas attached to a spin machine, onto which he poured paint. This series of etchings was produced with copper plates attached to the machine with the spiral lines drawn with needles, screwdrivers, and other sharp tools as they spun. The process of creating these works became a performance-like ritual that continued for numerous days.
The circular patterns that form the basis of this series of etchings were inspired by a long-exposure photograph Hirst has taken of stars in the night sky, forming an abstract configuration of shapes. Indicative of Hirst’s enthusiasm for contemporary music, Billy Mill Roundabout is reminiscent of grooved vinyl LPs and some of the titles of the etchings in the suite are lyrics from Pop-songs.
