For The Love of God, Enlightenment
For The Love of God, Enlightenment
Signed Print
Damien Hirst
£5,000-£8,000Value Indicator
$10,000-$16,000 Value Indicator
$9,000-$14,500 Value Indicator
¥45,000-¥70,000 Value Indicator
€6,000-€9,500 Value Indicator
$50,000-$80,000 Value Indicator
¥950,000-¥1,530,000 Value Indicator
$6,500-$10,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 250
Year: 2014
Size: H 75cm x W 100cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2021 | Bonhams New Bond Street | United Kingdom | |||
| November 2015 | Sotheby's New York | United States | |||
| February 2015 | Christie's New York | United States |
Meaning & Analysis
For The Love of God, Enlightenment is one of several prints by Damien Hirst that depicts the artist’s 2007 sculpture, also entitled For The Love Of God. It was produced in 2014, showing a frontal, photorealistic image of the sculpture. The skull sits in front of a shimmering background and appears to be looking directly at the viewer.
Hirst has used diamonds in several of his works throughout his career. He understands them as an expression of wealth and perfection. However, he has questioned whether diamonds are “just a bit of glass, with accumulated metaphorical significance? Or [whether they] are genuine objects of supreme beauty connected with life.” This debate has motivated his exploration of their use in the sculpture, For The Love Of God. Subsequently, prints that he has produced of the sculpture would further explore this subject. The work also alludes to a religious preoccupation that is evident in much of Hirst’s art. For instance, several other series including the Cathedral collection make clear his religious interests.
Noteworthy in the For The Love Of God, Enlightenment print is the scale the skull occupies. It takes up a large amount of the sheet. Here the viewer is invited to explore the scull in close detail. The 8,601 diamonds and the large diamond in the forehead are perfectly displayed to the viewer. The background of the print achieves a similar visual effect to the diamonds. It is a shimmering black and grey which makes the elaborate skull appear less incongruous.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
