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Damien Hirst

Godless Signed Print

Godless

Damien Hirst

Godless
Signed Print

Name: Godless
Brand: Damien Hirst
Rating: 5 (234 reviews)

Damien Hirst

£12,000-£18,000Value Indicator

$25,000-$35,000 Value Indicator

$22,000-$35,000 Value Indicator

¥110,000-¥170,000 Value Indicator

€14,500-€22,000 Value Indicator

$120,000-$180,000 Value Indicator

¥2,330,000-¥3,500,000 Value Indicator

$16,000-$23,000 Value Indicator

-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 160cm x W 122cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's Godless (signed) is estimated to be worth between £12,000 and £18,000. This digital print artwork, created in 2011, has shown consistent value growth since its first sale in February 2012. The hammer price for this work has ranged from £7,500 to £11,500 over the past five years, with an average annual growth rate of -6%. This work is somewhat rare, with an auction history of two total sales. The edition size of this artwork is limited to 25.

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Auction Results

Auction Date	Auction House	Location
December 2021	Bonhams New Bond Street	United Kingdom
November 2015	Sotheby's London	United Kingdom
February 2012	Phillips London	United Kingdom

Meaning & Analysis

Godless is a signed chromogenic print in colour mounted on aluminium produced by renowned contemporary artist, Damien Hirst. The print, made in 2011, shows one of Hirst’s installations in which the artist arranges various tablet boxes and medicine bottles on the shelves of a medicine cabinet. The boxes and bottles all differ in shape, size and colour, however are arranged meticulously, bringing a scientific precision to the artwork.

Hirst has had a longstanding interest in medicine and its depiction in art, as well as modern society’s obsession with pharmaceuticals and their healing powers. Medicine and pharmaceutical products often feature in the artist’s works. Whilst in his second year at Goldsmiths in 1988, Hirst began his Medicine Cabinets series, in which the artist constructed various cabinets filled with the empty packets of his grandmother’s medication, like the one seen in this print. Through the incorporation of medicine into his artworks, Hirst is able to pursue wider themes of life, death and mortality.

Hirst has continued to explore the theme of modern medicine in his artworks, notably in series such as Eat the Rich and The Cure. Through doing this, Hirst blurs the boundaries between art and science, demanding that the two are not seen as opposing disciplines.

Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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