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Standing Up, Turning Round, Lying Down - Signed Print by Bridget Riley 2015 - MyArtBroker

Standing Up, Turning Round, Lying Down
Signed Print

Bridget Riley

£14,000-£21,000Value Indicator

$30,000-$45,000 Value Indicator

$26,000-$40,000 Value Indicator

¥130,000-¥200,000 Value Indicator

16,000-25,000 Value Indicator

$140,000-$210,000 Value Indicator

¥2,640,000-¥3,960,000 Value Indicator

$18,000-$27,000 Value Indicator

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 75

Year: 2015

Size: H 71cm x W 59cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Bridget Riley's Standing Up, Turning Round, Lying Down (signed) is estimated to be worth between £14,000 and £21,000. This screenprint, created in 2015, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of one sale on 27th May 2021. Over the past five years, the hammer price has varied from £6,000 in October 2018 to £8,000 in April 2020. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
May 2021Sotheby's London United Kingdom

Meaning & Analysis

Made in 2015, this print was produced once Riley had gained the status of a highly influential, critically acclaimed artist. Riley rose to fame in the 1960s following an exhibition at the Museum of Modern Art in New York in 1965 which included some of her remarkable black and white paintings. Riley’s early work is characterised by her black and white palette and the way in which the artist experimented with light, shape and colour to evoke a sense of movement in her artworks.

While Riley’s early works tend to be in black and white, by the late 1960s the artist started experimenting with colour. Riley became fascinated with the way in which colour could influence perception as well as one’s emotional response to an image. Riley’s later works are marked by the use of bright colours and an experimentation with colour, tones and hues.