£3,750-£5,500
$7,500-$11,000 Value Indicator
$7,000-$10,000 Value Indicator
¥35,000-¥50,000 Value Indicator
€4,550-€6,500 Value Indicator
$35,000-$50,000 Value Indicator
¥740,000-¥1,090,000 Value Indicator
$4,700-$7,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 75
Year: 1973
Size: H 56cm x W 78cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
June 2023 | Phillips London | United Kingdom | |||
April 2020 | Doyle Auctioneers & Appraisers | United States | |||
October 2019 | Doyle Auctioneers & Appraisers | United States | |||
March 2018 | Bonhams Knightsbridge | United Kingdom | |||
June 2016 | Bonhams New Bond Street | United Kingdom | |||
July 2014 | Bonhams New Bond Street | United Kingdom | |||
April 2013 | Lyon & Turnbull Edinburgh | United Kingdom |
Bridget Riley’s Rothko Portfolio (1973) was released in a signed edition of 75 screen prints. It is Riley’s contribution to a collective print portfolio, commemorating Mark Rothko shortly after his tragic suicide. Panels of alternately leaning diagonal stripes, vivid blue, appear to change hue according to adjacent bands of green or red.
Rothko Portfolio is composed of four rectangular blocks which contain short diagonal lines that alternate directions in the first two blocks, but then face the same direction in the bottom half. The lines constituting each block are electric blue, with an alternating thin line of colour on each side of the line.
Working exclusively in black and white until the 1970s, Riley subsequently revelled in exploring the boundless visual and emotional effects of colour combinations, which added another layer of optical illusion to her artwork. Utilising colour to achieve new optical effects, Riley saw shape and colour as “ultimate identities'' interacting on the two-dimensional canvas surface.
Rothko Portfolio was contributed by Riley to a portfolio of prints published in 1973 by the Mark Rothko Memorial Trust, a charity established by Bryan Robertson to facilitate bursaries for artists working in the UK to travel to the US. Twelve other artists were involved. Rothko had committed suicide in 1970, one year before Riley’s first retrospective at the Hayward Gallery, London.