Grannies
Grannies
Unsigned Print
Banksy
£8,000-£14,000Value Indicator
$16,000-$29,000 Value Indicator
$15,000-$26,000 Value Indicator
¥70,000-¥130,000 Value Indicator
€9,500-€17,000 Value Indicator
$80,000-$140,000 Value Indicator
¥1,560,000-¥2,720,000 Value Indicator
$10,500-$18,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 500
Year: 2006
Size: H 56cm x W 76cm
Signed: No
Format: Unsigned Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2024 | Christie's London | United Kingdom | |||
| September 2024 | Sotheby's Online | United Kingdom | |||
| April 2024 | Forum Auctions London | United Kingdom | |||
| February 2024 | Chiswick Auctions | United Kingdom | |||
| January 2024 | Sotheby's New York | United States | |||
| December 2023 | Bonhams Knightsbridge | United Kingdom | |||
| October 2023 | Bonhams New Bond Street | United Kingdom |
Meaning & Analysis
Banksy’s 2006 Grannies was released in an unsigned screen print edition of 600, part of the "Barely Legal" exhibition portfolio. As the elderly ladies knit jumpers with the unlikely slogans "Punks Not Dead" and "Thug for Life”, Banksy begs the question: are these grannies retired rebels or simply armchair philosophers?
This sardonic, original screen print by Banksy was released as part of the seminal exhibition Barely Legal which took place in California, Los Angeles in September 2006 and was the artists first major foray into the US. The unsigned print was released in an edition of 600, whilst 150 signed prints were also made available. Grannies features a blocked pink background, with two elderly ladies sitting on two aged armchairs knitting and drinking tea. Banksy creates a humorous juxtaposition in the image by depicting slogans on the knitted jumpers that read, ‘Punk's Not Dead’, and ‘Thug For Life’.
This piece is often considered to be one of the most humorous images of the Barely Legal exhibition. Both grannies appear pleased with themselves as they quietly resist cultural norms, but, there is an argument to suggest that this goes much deeper. It is possible interpretation that Grannies is a commentary on the way in which counter-culture is appropriated and white-washed into comfortable, mainstream living room material.
