Sex Parts (F. & S. II.177)
Sex Parts (F. & S. II.177)
Signed Print
Andy Warhol
£4,300-£6,500
$8,500-$13,000 Value Indicator
$7,500-$11,500 Value Indicator
¥40,000-¥60,000 Value Indicator
€5,000-€8,000 Value Indicator
$40,000-$60,000 Value Indicator
¥830,000-¥1,260,000 Value Indicator
$5,500-$8,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 30
Year: 1978
Size: H 80cm x W 60cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2024 | Rago | United States | |||
| December 2023 | Wright | United States | |||
| June 2023 | Rago | United States | |||
| May 2023 | Bonhams New York | United States |
Meaning & Analysis
Sex Parts (F. & S. II.177) is a signed screen print by the renowned 20th century artist, Andy Warhol. The black and white print on HMP paper was created in 1978 and comes in an edition size of 30. The print shows two nude people engaged in an intimate sexual act. Warhol captures the person’s naked torso, however their face is cropped out of the image. A hand is seen coming from the top right of the composition. Warhol is capturing an anonymous figure giving someone a hand job.
Sex Parts (F. & S. II.177) is part of Warhol’s Sex Parts collection. Each print in the collection shows two figures engaged in sexual activity, often the figures are performing oral or anal sex.
As well as Warhol’s Sex Parts collection, the artist also produced various nudes earlier on in his artistic career in the 1950s. Warhol’s friend and collaborator, Vincent Fremont, explains that Warhol “always got people to take their clothes off” and seemed fascinated with the nude male form. Warhol’s nudes were never exhibited in public, arguably because Warhol was aware of how conservative the art world was and that these images would not be popular with museums or art collectors.
