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Brooklyn Bridge (F. & S. II.290) - Signed Print by Andy Warhol 1983 - MyArtBroker

Brooklyn Bridge (F. & S. II.290)
Signed Print

Andy Warhol

£22,000-£35,000Value Indicator

$45,000-$70,000 Value Indicator

$40,000-$60,000 Value Indicator

¥210,000-¥330,000 Value Indicator

26,000-40,000 Value Indicator

$220,000-$360,000 Value Indicator

¥4,210,000-¥6,700,000 Value Indicator

$29,000-$45,000 Value Indicator

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 200

Year: 1983

Size: H 100cm x W 100cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Brooklyn Bridge (F. & S. II.290) (signed) is estimated to be worth between £22,000 and £35,000. This screenprint has shown consistent value growth, with an average annual growth rate of 6%. This work is popular on the market, having been sold 18 times at auction since its initial sale on 3rd November 2004. In the last 12 months, the average selling price was £22,338, across 3 total sales. Over the past five years, the hammer price has ranged from £14,208 in October 2024 to £33,644 in September 2023. The average annual return to the seller is £20,825. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
February 2025Phillips New York United States
December 2024Ketterer Kunst Hamburg Germany
October 2024Leland Little Auction & Estate Sales United States
September 2023Lama United States
December 2022Ketterer Kunst Hamburg Germany
June 2021Ketterer Kunst Hamburg Germany
June 2021Brunk Auctions United States

Meaning & Analysis

Warhol demonstrates his trademark colour block method of screen printing to create a vibrant and flattened representation of the original photograph used for the print. The contrasting hues of blue, yellow, pink, green and orange produce a playful and celebratory depiction of the bridge that is distinctly Warholian.

Unlike much of Warhol’s other work, for this piece the artist uses an offset printing technique that shows a more complex offsetting of the subject. This is reflected in the way that the bridge has been mirrored and projects off into the distance of the picture plane, blurring the lines between reality and representation. Through bold use of colour and composition, the seemingly mundane photograph of the Brooklyn Bridge that has been depicted by a multitude of American artists has been abstracted and transformed into an iconic Pop Art piece.