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Printmaking is undergoing a significant transformation as contemporary artists are pushing the boundaries of the medium, merging traditional techniques with innovative materials and digital advancements. By incorporating sculptural elements, experimenting with unconventional surfaces, and embracing technology, today’s printmakers are reshaping the art form, making it more versatile, immersive, and highly sought after by collectors.
Scaling Access: The Role of Print Studios and Publishers in Expanding The Market to New CollectorsFor centuries, printmaking has been defined by its traditional techniques such as etching, woodcut, lithography, and screen printing. These methods, which rely on transferring ink from a matrix onto paper, have long defined the medium. However, contemporary artists are breaking away from these conventions, exploring new ways to merge print with other artistic disciplines and incorporating digital advancements, unconventional materials, and even sculptural elements into their work. This shift is not only broadening the possibilities of printmaking but also reshaping its status within the art world. Once seen as a more accessible medium, printmaking has become recognised as an innovative and experimental practice, standing alongside painting and sculpture in terms of creativity and collectability.
One of the most groundbreaking developments in modern printmaking is the integration of digital techniques. Many artists now design their works digitally before transferring them onto traditional print matrices such as woodblocks, metal plates, or silk screens. This hybrid approach allows for an unparalleled level of detail and precision in the initial design while preserving the tactile, handcrafted quality that gives traditional prints their unique character. Technologies such as laser cutting and CNC routing have made it possible to create intricate patterns and textures on materials like linoleum or wood - details that would be incredibly difficult to achieve by hand. These advancements bridge the gap between old and new, enabling artists to maintain the material presence of printmaking while embracing the efficiencies of digital technology.
Additionally, high-tech printing methods are expanding what constitutes a print. Advanced inkjet printers, capable of producing prints with incredible colour accuracy and fine detail, have become essential tools for many printmakers. These machines allow for printing on a diverse range of materials beyond paper, including fabric, wood, metal, and even plastics, pushing the medium beyond its traditional boundaries. As artists continue to challenge the limitations of printmaking, the medium is evolving into something more dynamic and multi-dimensional than ever before.
A key factor in this transformation is the integration of handcrafted methods with contemporary digital tools. The rise of digital printmaking, laser cutting, and 3D printing has opened up new creative avenues, allowing artists to manipulate imagery with unprecedented precision and efficiency. Rather than viewing printmaking as a singular process, many contemporary artists now approach it as a hybrid practice - combining traditional techniques with technological advancements to produce work that is more experimental and multi-dimensional.
For example, artists are incorporating 3D-printed elements into their work, transforming prints into sculptural objects. Additionally, digital software such as Photoshop, Illustrator, and Procreate has revolutionised how artists design and conceptualise prints before they even reach the physical production stage. These tools allow for greater experimentation with layering, texture, and colour, enabling artists to push the medium beyond its historical limitations.
A significant development in contemporary printmaking is its movement beyond the flat surface into three-dimensional space. Artists are exploring 3D printing to produce sculptural editions that challenge the conventional notion of a print, and technology has been instrumental in this shift. These advancements blur the line between print and sculpture, opening new avenues for both artistic expression and collectors.
Contemporary printmakers are no longer confined to paper; instead, they are pushing the boundaries of the medium by experimenting with an array of unconventional surfaces. Digital technology has introduced a new kind of print surface - the screen. Few artists have embraced this shift as enthusiastically as David Hockney. Known for his willingness to explore new mediums, when Apple released the iPad in 2010, Hockney added digital drawing on an iPad to his arsenal of traditional printmaking techniques. One particularly evocative piece, Rain On The Studio Window, captures a scene that is both realistic and unmistakably digital. This ability to mix line, brushwork, and texture lends an energy to his digital prints that defies the flatness often associated with screen-based art. Hockney’s enthusiasm for new technologies is not new, and in 1986 he experimented with an office photocopier to create his Home Made Prints series, relishing the autonomy the Xerox printer provided and reflecting his commitment to reflecting technological progress in his artwork.
During the COVID-19 lockdown in 2020, Hockney used his iPad to capture the changing landscape of spring in Normandy. Isolated in a house surrounded by fruit trees, he embraced the opportunity to focus on his work, producing at least one digital drawing each day. Observing the subtle yet constant transformations in nature, his digital works were printed and displayed in his studio, forming the basis of The Arrival of Spring, an exhibition showcased at the Royal Academy of Arts in London in 2021.
Hockney’s dedication to digital and traditional techniques continues with David Hockney 25, an expansive retrospective opening in 2025 at the Fondation Louis Vuitton, featuring over 400 works spanning his seven-decade career. This exhibition highlights his experimentation with various mediums, from oil and acrylic paintings to digital drawings on iPads and iPhones, as well as immersive video installations. A major focus is placed on the past 25 years, a period marked by his vibrant depictions of the Yorkshire countryside, the Normandy landscape, and intimate portraits of friends and flowers. Among the highlights is 220 for 2020, a series of iPad works capturing the shifting seasons in Normandy.
As technology advances, the boundaries of printmaking will continue to be tested. New materials, techniques, and digital innovations will shape the next generation of print artists. By embracing both historical techniques and contemporary experimentation, today’s artists are ensuring that the medium remains vibrant, relevant, and full of creative potential.