My Parents
My Parents
Signed Print
David Hockney
£3,500-£5,500
$6,500-$10,500 Value Indicator
$6,000-$9,500 Value Indicator
¥30,000-¥50,000 Value Indicator
€4,050-€6,500 Value Indicator
$35,000-$50,000 Value Indicator
¥680,000-¥1,070,000 Value Indicator
$4,400-$7,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Photographic print
Edition size: 80
Year: 1975
Size: H 183cm x W 183cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2018 | Millea Bros. - United States | My Parents - Signed Print | |||
| November 2018 | Millea Bros. - United States | My Parents - Signed Print | |||
| August 2018 | Ader - France | My Parents - Signed Print | |||
| August 2018 | Ader - France | My Parents - Signed Print | |||
| August 2018 | Ader - France | My Parents - Signed Print | |||
| May 2012 | Wright - United States | My Parents - Signed Print | |||
| June 2007 | Wright - United States | My Parents - Signed Print |
Meaning & Analysis
This signed print by venerated British artist David Hockney was issued in an edition of 80 in 1975. Entitled My Parents, it is a detailed photograph of Hockney’s painting of the same name.
My Parents is a signed print by British artist David Hockney, widely considered one of the most influential artists of the 20th century. Part of the Photographs collection, this print was issued in an edition of 80 in 1975. My Parents is a photograph depicting a painting of the same name that took Hockney over two years to complete. In 1975, Hockney had begun painting My Parents And Myself, a similar image featuring both of his parents, seated in muted poses. This work featured the artist’s own reflection, beamed back to the viewer by way of a mirror in a whimsical, self-referential mise-en-abyme that appears to pass philosophical comment on the true nature of an often elusive, closed-off artistic process. This work was abandoned, however, laying in Hockney’s Los Angeles home for over 45 years, owing partly to Hockney’s fathers fidgeting during sittings. Like My Parents, it had strained Hockney’s relationship with his parents, who at the time lived far away from the artist’s residence and de facto studio in Paris. For My Parents, Hockney persevered with a composition that was proving difficult to complete. The result of his hard work, finished in 1977, went on to become one of Hockney’s most famous works. In her diary, Hockney’s mother Laura once exclaimed her happiness that her son had returned to the project: ‘He’s started again on portrait. I ask what changed his mind. What influence? He says he has a new inspiration. I only want him to be happy and satisfied with his work. Nothing less will do!’
